After all, where can the glorious, the goofy, and the god-like stand shoulder to shoulder?

I've never worked where it was hard to be gay. Besides, being gay is a spectacular irrelevance to getting on with your life.

The moon had risen behind him, the color of a shark's underbelly. It lit the ruined walls, and the skin of his arms and hands, with its sickly light, making him long for a mirror in which to study his face. Surely he'd be able to see the bones beneath the meat; the skull gleaming the way his teeth gleamed when he smiled. After all, wasn't that what a smile said? Hello, world, this is the way I'll look when the wet parts are rotted.

I've learned two things in my life. One that love is the beginning and end of all meaning. And two that it is the same thing whatever shape our souls have taken on this journey. Love is love. Is love.

Nothing ever begins. There is no first moment; no single word or place from which this or any story springs. The threads can always be traced back to some earlier tale, and the tales that preceded that; though as the narrator's voice recedes the connections will seem to grow more tenuous, for each age will want the tale told as if it were of its own making.

With the inevitability of a tongue returning to probe a painful tooth, we come back and back and back again to our fears, sitting to talk them over with the eagerness of a hungry man before a full and steaming plate.

At best you can hold death at bay, you can pretend it isn't there; but to deny it totally is a sickness. And I think that horror fiction is one of the ways to approach these problems, and, perversely perhaps, to enjoy a vicarious confrontation with them.