I love meeting people who've read my books. The prime reason to be on the planet is to make things I can show to other people: paintings, books, movies.

Zombies are the liberal nightmare. Here you have the masses, whom you would love to love, appearing at your front door with their faces falling off; and you're trying to be as humane as you possibly can, but they are, after all, eating the cat. And the fear of mass activity, of mindlessness on a national scale, underlies my fear of zombies.

I have the normal complement of anxieties, neuroses, psychoses and whatever else - but I'm absolutely nothing special.

You are my beauty, my body, perfected. All I was drained off into you. When you left, my health went with you - leaving a moral morbidity I smell in my sleep. The acts I committed for the love of you. Acts I can never forget. I crawled into the bellies of the dead to fish out a little life... I have an appetite for it now. I have an unrelenting lust for death.

One part of love is innocence One part of love is guilt One part the milk that in a sense Is soured as soon as spilt One part of love is sentiment One part of love is lust One part is the presentiment Of our return to dust

I've always thought that the most extraordinary special effect you could do is to buy a child at the moment of its birth, sit it on a little chair and say, "You'll have three score years and ten," and take a photograph every minute. "And we'll watch you and photograph you for ten years after you die, then we'll run the film." Wouldn't that be extraordinary? We'd watch this thing get bigger and bigger, and flower to become extraordinary and beautiful, then watch it crumble, decay, and rot.

His body and his mind went about their different businesses. The former, freed from conscious instruction, breathed, rolled, sweated, and digested. The latter went dreaming.