In this sense love is of a different order to any other phenomenon, for it may be both an event and a sign of that invisible mechanism I spoke of before; perhaps the finest sign, the most certain. In it’s throes we need neither luck nor science. We are the wheel, and the man who profits by it. We are the star, and the darkness it pierces. We are the butterfly, brief and beautiful.

Zombies are the liberal nightmare. Here you have the masses, whom you would love to love, appearing at your front door with their faces falling off; and you're trying to be as humane as you possibly can, but they are, after all, eating the cat. And the fear of mass activity, of mindlessness on a national scale, underlies my fear of zombies.

Everything is in flux: everything changes; the body changes, the soul changes. We are capable of extraordinary self-transmutat ion and internal self-transforma tion.

For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making.

I firmly believe that a story is only as good as the villain.

And in time it will be as though men had never come to this perfect corner of the world-never called it paradise on earth, never despoiled it with their dream factories; and in the golden hush of the afternoon all that will be heard will be the flittering of dragonflies, and the murmur of hummingbirds as they pass from bower to bower, looking for a place to sup sweetness.

To call you excrement would be an insult to the product of my bowels.