If you explode onto the scene at a very young age, there are so many people pulling you in different directions. It takes time to recalibrate and see what's important.

For me really good acting is about subtext.

I actually really love working with young actors because they're so responsive and instinctive, and it's a much less honed craft that they're employing.

I don't do facials or any of that stuff, but my workout regime does tend to depend on whether I have to take my top off in my next film because otherwise I know I'm too heavy.

When I started in the theater, the joy for me was playing different parts, and I get set alight by different people and different worlds. The biggest joy for me is jumping around and going from that to this to that, never feeling that I'm any one thing - because I'm not, and we as people aren't.

I'd like to do a film which is funny.

When I look back, if I'd played something differently, it might not have gone the way it did. So I don't feel like going back to my twenties and changing anything.