I always want my options to be open.

For me, London is and always will be home.

The idea of goodies and baddies has always fascinated me, and what people consider to be a goodie or a baddie, because I've never seen any of my characters as baddies.

No matter who the character is and how big their role, that each person in the story is a human being and deserves respect. Even if they're in the story for ten seconds, I didn't want you to just see them as this entity passing through that's serving all of the other people.

Movies are certainly a director's medium, so getting the opportunity to work with really good directors is everything to me.

When I look back, if I'd played something differently, it might not have gone the way it did. So I don't feel like going back to my twenties and changing anything.

If you are making a script based on a book it can be frustrating going back to the source novel, because you're turning the story into a totally different thing; the narrative of film is different from that of a book.