In the back of my mind, I want it to do well, but at the end of the day I literally just got down on my knees and prayed - "However you want this thing to go lord, let it go that way." Low and behold, it did what it did and it's doing what it's doing. I'm just trying to sit in the saddle on this deal, just trying to stay on board!

I don't know that we're beating anyone at their own game. I just think that we tried to include a lot of Nashville entities from the very beginning, just to see if that would work. We were trying to take my music to a different level and some people wanted me to change my style and my image, obviously that's not going to happen so we simply thanked those people for their time.

It's something that Cory Morrow said to me a long time ago - "Don't ever forget why Nashville is Nashville. The Opry is there for a reason. Country music lives there. Don't be bitter. And don't ever treat Texas or Nashville like either one isn't important."

I am who I am and I don't think you can put a label on it.

I hate to say stuff like this because everyone dreams about playing The Opry, everyone dreams about playing Gruene Hall, but I've always tried to not concentrate too hard on where I want to go because I know if I put too much stock into it, it would be pretty disappointing if I never got there.

My album was recorded in Nashville. It used to be all about "We're from Texas, forget Nashville," well you'll never hear me say that. Nashville isn't bad as long as you're true to yourself.

Pushing myself against my own will really, because some of this stuff is hard. I don't consider myself to be a great guitar player, so pushing myself as a guitar player or pushing myself as a singer, as a performer, and just riding that fine line between being so hard on yourself that it's counter-productive and being so hard on yourself that nothing is ever good enough is what drives me.