I'll wait to see what the film [The Lobster] is, but it's set in a contemporary world, in America, there are hospitals and diners, parks, things that we will recognize and experienced ourselves but yet there's this similar kind of uneasiness through all the interactions and all the things that take place. It was unnerving reading the script. I kind of felt nauseous after reading it.

The original WAS a fun film. [Paul] Verhoeven made a couple of 'Robocops' that were so great, too. I think the level of excitement is great and Arnie [Schwarzenegger] was particularly charismatic with that chopped up English, and the size of the man with his confidence and sense of humor.

I'm not optimistic at all, nor am I pessimistic.

Life is apogee, apex, decline; life is death - and everything else is open to discussion.

At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.

You have the upmost amount of energy because you're not just having a cocktail at the end of the night. You're actually not drinking alcohol and you're keeping your body really clean and it's an amazing feeling to be getting out all the toxins.

I was never an A student, but I was really well behaved until I was 13 or so.