I'll wait to see what the film [The Lobster] is, but it's set in a contemporary world, in America, there are hospitals and diners, parks, things that we will recognize and experienced ourselves but yet there's this similar kind of uneasiness through all the interactions and all the things that take place. It was unnerving reading the script. I kind of felt nauseous after reading it.

Initially, less appealing to me than the idea of a vampire that is drawn by some misgiving or drawn by some sense of longing that he can't quite satiate.

Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.

I couldn't care less about who sees my bits ... My friends asked how I could do scenes like that and not get excited, but it wasn't like that. My bits looked the size of a cashew nut!

Magic is at the core of myths.

Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.

I've never seen a moon in the sky that, if it didn't take my breath away, at least misplaced it for a moment.