You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.

You dream to eat whatever you can and get away with it and then when you're told you have to eat, it loses its fun straight away.

I'm just a true Irish boy at heart. I'm just myself, I stick by my guns and I treat people the way I think they should be treated, regardless of their status. And I just have a laugh.

I've never seen a moon in the sky that, if it didn't take my breath away, at least misplaced it for a moment.

I hadn't really met Colin [Farell]. It's really weird to say: 'Oh, hello, I'm Kate...I'm Colin.. shall we?' That's a bit strange. Len was fine with it. We've gone through this experience with Scott Speedman before on the first Underworld move. It was our little version of swinging. We survived that.

I'm not keen on cars and motorbikes. I tried to be a biker, but it wasn't me - I bought a Harley-Davidson and dumped it.

Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.