It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.

I did loads of auditions and I didn't get called back. I still get giddy at all the people I get to work with, and I'm still enjoying the work and enjoying life too much that I don't feel like I've done that much.

You're scrutinized all through your life - you're scrutinized by your family, by yourself, by society, and your friends in a certain way, shape, or form.

I think people enjoy "The Lobster" because people respond to original things, but I think they only respond to original things if they connect to some truths within us.

When I read the script it was extraordinary and to work with Yorgos [Lanthimos] again was amazing.

I personally just want to do as many different things as I can do, whether it's comedy, drama, science fiction, horror, narrator... You've got a documentary, I've got a voice. Animated films. Big films, small films.

An actor said recently that, unless you're a parent, you shouldn't play a parent in a film. I don't know who said it, but I disagree. I understand that maybe there are aspects that you don't understand, or maybe this actor or actress had a really strong recent experience with having their first or second or third born child. I don't know. As a dad, I get that. I get that there is no love like it. But, at the same time, love is love.