I was in school for literature, and read so many 19th century and early 20th century novels that it was hard to break out of that and read an average Jeanette Winterson book or something.

There's some things there that you just have to draw the line. Some people are just not going to like it. We would hope that everybody would like it.

All instruments sound fantastic in a church.

When I first started writing these kind of songs that would eventually become Decemberists songs, I was writing them because I knew that nobody was listening at the time and that it wouldn't hurt to challenge myself and get weirder and see if I could alienate more people

My mother was a Chinese trapeze artist in pre-war Paris Smuggling bombs for the underground. And she met my father at a fete in Aix-en-Provence; He was disguised as a Russian cadet in the employ of the Axis.

If Broadway musicals were as popular as they were in the 20s, 30s, and 40s, then people like Sufjan Stevens and Iron & Wine would be writing for Broadway, which would be amazing. As it stands, it's the worst stuff that's mired in pop music.

I have a conflicted relationship with musicals, because I think the music itself can be so horrendous. It's an industry that relies on appealing to a mainstream culture in order to survive.