Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me.

I love Johnny (Depp). A lot of the stuff I've done for him stands out for me just because of the relationship and who he is.

I always carry pictures of my children and grandchildren, which is what makes it all worthwhile. It's great fun that my grandkids get to see the costumes in Alice in Wonderland or a doll with grandma's dress.

I always have a moment when I know I'm designing the last costume that gets made for a movie and it's always been floating up there but it's kind of the last one. That's always probably the hardest one for me.

In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today.

Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work.

Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie.