Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me.

I had to work out that it was something that could move, without having everybody in spray painted leotards.

I've always loved movies, art and clothes.

In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today.

Be able to take any job that gives you experience on a film. Don't just think that you have to be in one department or the other, because through working on one and seeing what other people do in the movie makes you realize what your role is if you become a costume designer.

If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story.

I think what's fun about the fairytales is just seeing what everybody interprets them as, which comes from the different directors and what they want to do with them.