Chicago is partly a fairy tale because it's inside one person's head, so that part of it's made up and the rest of it is reality.

Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie.

I always have a moment when I know I'm designing the last costume that gets made for a movie and it's always been floating up there but it's kind of the last one. That's always probably the hardest one for me.

In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today.

Chicago is partly a fairy tale because it's inside one person's head, so that part of it's made up and the rest of it is reality.

Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me.

If I'm doing something contemporary, for sure I'm very aware of what's going on. Personally, I like fashion trends, but when I'm doing a movie, it doesn't affect what I do particularly at all. I don't relate to it in that way.