There are so many burning issues to be dealt with that it's completely understandable and natural that a character is struggling with these issues themselves. In that struggle, you inform the audience. The thing about this writing is that it's very easy to learn. Good writing always is.

The digital revolution has changed the way we do things because you're not under that pressure that film is precious and film is expensive.

If you're playing a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.

Colin Morgan gives a stunning performance in Parked; he plays Merlin in the BBC TV show and he says the two characters are like night and day. Watch him. He’s got everything it takes to be top notch.

I kind of have an interest in all history. And I suspect it comes from being Irish - we like stories, we like telling stories, which makes a lot of us lean towards being writers or actors or directors.

I usually read a script from an audience perspective first, and then look more closely at the character only.

Normally when I'm sent a script I'll read it through to see how it hangs as a story and then I'll go back and read it through again and look at the character.