It is important to find a publisher and equally important not to be noticed until your third or fourth book.

If you have to read to cheer yourself up, read biographies of writers who went insane.

I was first in Sydney in 1993, and have been a few times since then. For someone who didn't know Australia, it came as a shock how intelligent, interesting and funny the people were. If I lived there I might see it differently, but as a visitor it was a lot of fun.

I like it that they [disciples] feed me and pay for my clothes and protect me. And in return I will do for them what I can, but no more than that. Just as I cannot breathe the breath of another or help the heart of someone else to beat or their bones not to weaken or their flesh not to shrivel, I cannot say more than I can say. And I know how deeply this disturbs them, and it would make me smile, this earnest need for foolish anecdote or sharp simple patterns in the story of what happened to us all, except that I have forgotten how to smile.

John McGovern taught me that it's OK to write repeatedly about the same things.

Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure.

I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'