Memory is the most malicious cutter of all, preserving, recasting, panning in slow motion across the awful bits so that we retain every detail.

I'm trying to keep it fresh for me. I'm just trying to not bore myself. And if I can do a detective novel, and if I can do a horror novel, then why do it again? To keep the work challenging I have to keep moving.

These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb.

In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking up creative ways of hurting people.

I think you're only post-racial when you stop asking if you're post-racial. When the Neanderthals finally stopped asking themselves if they were in a post-saber tooth society, that's when they were post-saber tooth.

I write books and either people read them or they don't read them. The rise of Facebook or e-books doesn't change the difficulty level of writing sentences and thinking up new ideas.

Twenty years ago, when I started writing, I didn't define myself as an African-American writer. And then you write books and you're focused on what's inside your books, and that kind of term is generally used on the outside, by the critical establishment.