I'm not really up on what's new. I'm still listening to Run DMC twenty-five years later. In the same way that the baby-boomers in America were forcing '60s music and Motown down our throats, now people of my generation are forcing Tears For Fears and old Hip Hop upon others.

If I have three ideas and I'm working on one more than the others, that sort of tells me that I should work on that one.

What does the perfect elevator look like, the one that will deliver us from the cities we suffer now, these stunted shacks? We don't know because we can't see inside it, it's something we cannot imagine, like the shape of angels' teeth. It's a black box.

I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.

Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.

We never see other people anyway, only the monsters we make of them.

I'm an African-American writer, I'm a lazy writer, I'm a writer who likes to watch The Wire, I'm a writer who likes to eat a lot of steak.