Twenty years ago, when I started writing, I didn't define myself as an African-American writer. And then you write books and you're focused on what's inside your books, and that kind of term is generally used on the outside, by the critical establishment.

I think each book has its own way of accommodating my concerns, whether it's about race, America, technology, the city.

I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.

For years I felt that I wasn't ready to take on slavery. It's a huge topic, and I didn't want to mess it up.

When it comes to how the slaves treat each other: If you've been brutalized all your life - if you have seen your children sold or your mother beaten and raped and you have been tortured yourself - you are not going to be up for your best behaviour. Even in the 21st century, 100 people in the midst of terrible suffering are not going to be their best people.

What isn't said is as important as what is said.

Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.