I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.

I'm an African-American writer, I'm a lazy writer, I'm a writer who likes to watch The Wire, I'm a writer who likes to eat a lot of steak.

In other words, fiction is payback for those who have wronged you.

I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.

When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.

For years I felt that I wasn't ready to take on slavery. It's a huge topic, and I didn't want to mess it up.

In terms of why everything is different, each book is different than the one before because I'm so bored of what I just finished I want to work on something different. The next book becomes an antidote to what I did before.