I'm an African-American writer, I'm a lazy writer, I'm a writer who likes to watch The Wire, I'm a writer who likes to eat a lot of steak.

When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.

Memory is the most malicious cutter of all, preserving, recasting, panning in slow motion across the awful bits so that we retain every detail.

You are a New Yorker when what was there before is more real and solid than what is here now.

In keeping with my family's affection for doomed product lines and hexed formats, we purchased a Betamax. The year before, we'd bought a TRS-80 instead of an Apple II, and in due course we'd unbox Mattel's Intellivision, instead of Atari's legendary gizmo. This was good training for a writer, for the sooner you accept the fact that you are a deluded idiot who is always out of step with reality the better off you will be.

The fallout from slavery is ongoing. I am not sure the issue of race in America will ever be completely solved.

I think you're only post-racial when you stop asking if you're post-racial. When the Neanderthals finally stopped asking themselves if they were in a post-saber tooth society, that's when they were post-saber tooth.