I told him that I loved him and that I'd always love him and I felt like a child who throws a centavo into a fountain and then she has to tell someone her most extraordinary wish even though she knows that the wish should be kept secret and that, in telling it, she is quite probably losing it. He replied that I was not to worry, that the penny could come out of the fountain again and again and again.

Personally, I like the social novel. I like writing that gets in and under the hood and looks about - at what's going on. But I don't say to any writer that that's absolutely what they should do.

I don't really know what an adverb is. A dangling participle? That sounds really rude. I don't know what character is, really. Plot seems vaguely juvenile to me. It's all about language, it's all about how you apply it to the page.

He looks like the sort of man who can't afford to leave, and doesn't want to stay, and so he is doing both at once.

I sit there thinking about how much courage it takes to live an ordinary life.

Let this be a lesson to us all, said the preacher. You will be walking someday in the dark and the truth will come shining through, and behind you will be a life that you never want to see again.

She likes the people with the endurance to tolerate the drudge, the ones who know that pain is a requirement, not a curse.