The person we know at first, she thinks, is not the one we know at last.

I love short stories. They're like small imploding universes. They are very tightly bound and controlled. I'd been wanting to write one for ages but just got tangled up in novels. The novel is the same in the sense that it is also a universe, but it explodes outwards with all that shrapnel going in several different directions. I don't see too much difference in the forms except for the fact that writing short stories is like sprinting rather than long-distance running.

No shame in saying that I felt a loneliness drifting through me. Funny how it was, everyone perched in their own little world with the deep need to talk, each person with their own tale, beginning in some strange middle point, then trying so hard to tell it all, to have it all make sense, logical and final.

Novels are more difficult simply because they are longer and require more juggling, but short stories are closer to perfection, if you can get the language right.

I’m not interested in blind optimism, but I’m very interested in optimism that is hard-won, that takes on darkness and then says, ‘This is not enough.’ But it takes time, more time than we can sometimes imagine, to get there. And sometimes we don’t.

I want the younger writer to know that she or he is meaningful, that what they have to say is powerful in this world. But they can't come indoors, they can't close the curtains, they can't, like, lock themselves away from the world and say nothing.

Life must pass through difficulty in order to achieve any modicum of beauty.