[Show] business is tough. You never know who or what's real. It's tough when you get in this business, if you have no grounded foundation other than Hollywood, because this business isn't real. We're getting paid to do what we love, but it isn't real.

As we speak, that is what we are doing. Projects that come to you are not written for you. We have to take a lesson from Will Smith, who develops projects he can shine in. We're trying to develop things from the ground up.

I don't want to do action that doesn't mean anything. Everything I do I want to have character development and three-dimensional characters, fallible humans, and this is definitely one of them.

I want to play Martin Luther King. I want to tell the real story, his demons, his struggles as a man, not just as a hero but fallible, I want to show that side.

I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.

I can say with full sincerity that I am happy. I'm happy because I'm doing what I love and I'm not selling out. And I can sleep at night because I'm at peace with it.

The point of acting is to hide yourself and get lost in character. To play the same character in eighteen movies would be defeating the purpose I believe so I try to keep a little bit of diversity.