The way I work emotionally is: I don't ever try to cry. I try not to, which is what for me produces organic emotion.

My mom was really busy when I was growing up, but she did a really good job in terms of balancing her home life with her professional life. She basically took me everywhere.

My view of myself as an artist expanded because of the time I spent at Cal Arts.

I've realized that a lot of people go to see film or theater with a different expectation. I have a friend who's an actor and I can't stand watching movies with him because he never quite allows himself to just watch the story. He'll comment on the lighting, he'll comment on the [camera] angle. I'm not saying there's a wrong way to watch it - maybe that's helpful to him - but to me, you're getting way too caught up in the technical aspects.

My favorite films are when all of the technicalities are so seamless and so well done that I'm not thinking about them - you're able to go full-on into the story versus talking about edgy this moment was.

I wanted to become an actor and I knew that if I was really going to do it, I needed the training. I was not one of those people that was like, "I got it." I was like, "No, I don't have it yet. I need work. I need help fixing myself."

William Shakespeare was a brilliant writer and he only wrote the truth. So, if I dont believe it, I have to work really hard to see what that truth is so that I do; thats the only way I can make it believable for the audience.