I've played lots of strong women in film, in big Hollywood films, and I've sometimes had a hard time in coming to a consensus of what makes a woman strong. What is it that positions her as a force to be reckoned with? And I think it's because there's an expectation from the get-go that she isn't. If you're not starting from a deficit as a point of view, but you're starting from an assumption that says, "Well, this is what women really are," then it's a really freeing experience as an actor and as a woman.

I've played lots of strong women in film, in big Hollywood films, and I've sometimes had a hard time in coming to a consensus of what makes a woman strong. What is it that positions her as a force to be reckoned with? And I think it's because there's an expectation from the get-go that she isn't. If you're not starting from a deficit as a point of view, but you're starting from an assumption that says, "Well, this is what women really are," then it's a really freeing experience as an actor and as a woman.

If Copenhagen were a person, that person would be generous, beautiful, elderly, but with a flair. A human being that has certain propensities for quarrelling, filled with imagination and with appetite for the new and with respect for the old - somebody who takes good care of things and of people.

I don't think I can remember a moment in my life where people didn't discuss politics. People discuss politics at the table.

A role can go from being a babe to anything, as long as it's something that makes me curious.

We have a certain warped sense of humor in Scandinavia, and that is what comes across in the choices in a lot of our movies.

I absolutely refuse the fame part of my business. I refuse even the money side of my business. I try to do as good work as I can do, I try to grow in my art and reach for truth. That's what I want from my art, that's what I aspire to.