I've played lots of strong women in film, in big Hollywood films, and I've sometimes had a hard time in coming to a consensus of what makes a woman strong. What is it that positions her as a force to be reckoned with? And I think it's because there's an expectation from the get-go that she isn't. If you're not starting from a deficit as a point of view, but you're starting from an assumption that says, "Well, this is what women really are," then it's a really freeing experience as an actor and as a woman.

I'm definitely more attracted to chaos than to order. The point is, I find the female roles out there very cliché. If we are limited to being only lovers or mothers, we are limiting ourselves.

I absolutely refuse the fame part of my business. I refuse even the money side of my business. I try to do as good work as I can do, I try to grow in my art and reach for truth. That's what I want from my art, that's what I aspire to.

We have a certain warped sense of humor in Scandinavia, and that is what comes across in the choices in a lot of our movies.

I will always find something that I want to try and become better at. I always love to spend more time with my friends, more time with my family, my extended family. I always want to read more books.

You think once you've shown what you can do, and your movies have been successful, that snap, you work. So to discover the difference between guys' roles and girls' roles made me plain mad. It's unjust.

Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.