You'd help if you could, wouldn't you, boy?" I said. "It's no wonder they call you man's best friend. Faithful and loyal and true, you share in our sorrows and rejoice with us in our triumphs, the truest friend we ever have known, a better friend than we deserve. You have thrown in your lot with us, through thick and thin, on battlefield and hearthrug, refusing to leave your master even when death and destruction lie all around. Ah, noble dog, you are the furry mirror in which we see our better selves reflected, man as he could be, unstained by war or ambition, unspoilt by-

And kissed her for a hundred and sixty-nine years.

To do something for someone or something you loved-England or Shakespeare or a dog or the Hodbins or history-wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.

Fred Astaire is my hero. I love him because he was willing to kill himself to make his art look effortless. And because he proved it's possible to be an artist and a good person.

There are moments when rather than reforming the human race I'd like to abandon it altogether and go become, say, one of Dr. O'Reilly's macaques, which have to have more sense.

The amazing thing is that chaotic systems don't always stay chaotic," Ben said, leaning on the gate. "Sometimes they spontaneously reorganize themselves into an orderly structure." "They suddenly become less chaotic?" I said, wishing that would happen at HiTek. "No, that's the thing. They become more and more chaotic until they reach some sort of chaotic critical mass. When that happens, they spontaneously reorganize themselves at a higher equilibrium level. It's called self-organized criticality.

A Grand Design we couldn't see because we were part of it. A Grand Design we only got occasional, fleeting glimpses of. A Grand Design involving the entire course of history and all of time and space that, for some unfathomable reason, chose to work out its designs with cats and croquet mallets and penwipers, to say nothing of the dog. And a hideous piece of Victorian artwork. And us.