Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.

A kid that picks up a record, he doesn't need to know anything other than the music and have it in his or her headphones. They're getting ideas directly, it's like someone whispering in their ear. That's such a personal way to receive information.

I kind of go in waves with reading. Sometimes I read all the time, and sometimes I can't get settled enough to focus.

All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.

Music becomes very personal. When you marry a message you want to send out into the world with good music, all of a sudden you have a very potent way of delivering your message.

My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.

I wanna be your happiness. I wanna be your common sense pain.