I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together.

Sometimes I worry that I've lost the plot My twitching muscles tease my flippant thoughts I never really dreamed of heaven much Until we put him in the ground. There is nothing as lucky, as easy, or free

So when your new eyes meet mine they won't see no lies, just love.

I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.

A kid that picks up a record, he doesn't need to know anything other than the music and have it in his or her headphones. They're getting ideas directly, it's like someone whispering in their ear. That's such a personal way to receive information.

To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.

I've never conceptualized much of what I write about. Maybe, once I'm onto something, I'll conceptualize a finished record. I want the songs to tie together and make sense together. I'm not like, "Oh, I want to explore this idea." That's just not how the creative process works for me. It's more like something strikes me, or finds me, and then I wrestle with it after that. I don't sit back in my armchair, like, "What kind of philosophy can I explore today?"