You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.

In a coma, you don't dream, you just hope that someone sits with you.

I prefer career artists that have spent time honing their craft, as opposed to, 'I won a karaoke contest on a reality show and now I have a record.' That's such a drag. The music that comes out of it is so poor.

Men with purple hearts carry silver guns and they will kill a man for what his father has done. But what my father did, I don't live it: no, I am not him.

It seems like everything I do musically I tend to lose a few fans and gain a few fans, and it all kind of evens out.

Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.

A lot of the mythology that sprung up around Haile Selassie, it's not like something he asked for, having people deify him. That's pretty heavy. I don't know what you do in that situation.