My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.

For a sunrise or a sunset, you're manic or you're depressed. Will you ever feel ok?

I drug your ghost across the country, and we plotted out my death. Every city and memory we whispered "Here is where you rest." Well I was determined in Chicago but I dug my teeth into my knees And I settled for a telephone, sang into your machine: "You are my sunshine, my only sunshine.

Everything that happens is supposed to be And it's all pre-determined, can't change your destiny Guess I'll just keep moving, someday maybe I'll get to where I'm going

When you're 16 or 17, I think like most people that age, the first time you experience certain things in life, whether it's heartbreak or death or love, obviously it's going to seem like a much bigger deal.

I'm happy just because I found out I am really no one

I've never conceptualized much of what I write about. Maybe, once I'm onto something, I'll conceptualize a finished record. I want the songs to tie together and make sense together. I'm not like, "Oh, I want to explore this idea." That's just not how the creative process works for me. It's more like something strikes me, or finds me, and then I wrestle with it after that. I don't sit back in my armchair, like, "What kind of philosophy can I explore today?"