I hope I'm still shooting when I'm 80.
Dad, wherever you are, you are gone but you will never be forgotten.
Manipulating shadows and tonality is like writing music or a poem.
The closer the source of light is to a subject, the broader the beams are.
I can still recall the thrill of shooting my first film.
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.