I can still recall the thrill of shooting my first film.
My peers say I have made a difference. That means more to me than winning an Oscar.
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
Manipulating shadows and tonality is like writing music or a poem.
You are always a student, never a master. You have to keep moving forward.
You have to understand the nature of light.