There are a lot of directors who are knowledgeable about images, and others who aren't.

There are a lot of directors who are knowledgeable about images, and others who aren't.

It's important to know that if you are dealing with shadows.

There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job.

Every once in a while, when the audience is expecting to see one thing, you have to show them something else.

To me, the camera is like a musical instrument. You use it to control the flow, shape, size and colors of images.

You have to understand the nature of light.