The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.

Manipulating shadows and tonality is like writing music or a poem.

The sun is the most parallel light source because it is so far away.

I suppose I would still be a communicator, maybe a musician.

You are always a student, never a master. You have to keep moving forward.

That's why I like fast film. It gives you more freedom to light more naturally.

With today's fast films, you can light the way your eye sees the scene. You can abuse the film and create subtleties in contrast with light and exposure, diffusion and filters. That's what makes it an art.