The language of the body is the key that can unlock the soul.

In life we listen to other people. Listen with varying degrees of concentration and attention, right? Actors must learn to listen in a different way.

A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.

In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.

The character has to have some kind of arch. The character has to go through an event, and be changed by the human event.

Talent is nothing but a prolonged period of attention and a shortened period of mental assimilation.

Remember: there are no small parts, only small actors.