The theatre infects the audience with its noble ecstasy.

In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.

The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.

Gratuitous cruelty borders on the pathological, psychotic and that becomes uninteresting because there is no choice.

Of course, if you have thought up to now that an actor relies merely on inspiration you will have to change your mind. Talent without work is nothing more than raw unfinished material.

Doubt is the enemy of creativeness.

All action in theatre must have inner justification, be logical, coherent, and real.