It's one giant Bowflex commercial covered in booze vomit.

When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.

So many people in the world would rather stay in a situation that's painful but familiar because they're comfortable with it. Not a lot of people have the strength or heart to realize when something's not good for them and to turn around and be alone.

I didn't have the worst childhood, but I didn't have the best, and when you grow up like that, you have certain limitations invariably stuck inside you. Slipknot was a way to work it out.

My biggest influences were 1980s punk and metal. Metallica were my biggest influence because they were good at everything - riffs, energy - but with such an ear for melody, it was hard not to get pulled into it and become a fanatic.

Playing live is a lost art, and you don't see a lot of bands that go out and play the way the older bands do. It's a celebration, and a lot of people treat it like a commercial or a distraction.

When you're a kid, nine times out of 10, everthing is pure depending on how you grow up. Everything is new as a kid, so it's all amazing and wonderful. But as we get older, things start to lose their luster or possibly their relevance. Things don't mean as much as they did then. I know the feeling.