The magic of "Musical Medicine" will come into its own. The application of such healing potencies will not be limited just to man's body and mind. It will be an agency for building and healing his soul as well.

Ancient tradition always depicts a true Chinese musician as blind. Esoterically, this implies that his gift of the divine art is so completely guided by, and dedicated to, hosts of the celestial guardians, that both his sight and consciousness are focused above and beyond the objective world.

At a certain stage of our progressive attainment, every Initiate undergoes an "Illumination by Sound" in which the Music of the Spheres becomes to us a living reality. When the magical powers of sound are rediscovered and scientifically directed to the specific purpose of healing... and when man has learned how to release the mantraic powers embodied in such inspired utterances, he will master the energies transcending even those unleashed by the atomic physicist of today. They will be energies of yet another and higher dimension.

The score of Pelleas and Melisande by Debussy, heralds that which will lift man from the earthly to the celestial, from the mortal to the immortal. Once again the ways of the artist and healer are merging.

During the reign of Rameses III (the Twentieth Dynasty) Egypt saw a flowering of its civilization and the harp became the royal instrument of priests and kings. Often times they had as many as 21 strings. Under the manipulation "the Minstrels of the Gods" the music was of rare potency. "Musical Medicine" was an actuality. Healing, along with numerous so-called "supernatural feats" was attributed to this art.

The Medicine Man occupied the honored role of priest and physician to his tribe. They understood that healing was done by the intercession of celestial spirits. Music was used as the bridge between these planes. Thus we see why music was religious in nature, and music was looked upon as a sacred art.

The highest mission of music is to serve as a link between God and Man.