During the reign of Rameses III (the Twentieth Dynasty) Egypt saw a flowering of its civilization and the harp became the royal instrument of priests and kings. Often times they had as many as 21 strings. Under the manipulation "the Minstrels of the Gods" the music was of rare potency. "Musical Medicine" was an actuality. Healing, along with numerous so-called "supernatural feats" was attributed to this art.

The famous Greek physician Hippocrates administered musical treatments to his patients in 400 B.C. Although this type of treatment did not originate with him, it found in him an exponent of the highest order. With the increasing materialism of Western civilization, the major tenants of ancient musical therapy have been either forgotten or discarded.

The score of Pelleas and Melisande by Debussy, heralds that which will lift man from the earthly to the celestial, from the mortal to the immortal. Once again the ways of the artist and healer are merging.

By harmony all phenomena are formed and sustained. There is a scientific statement to the effect that this earth is a vast harmonic wave system that is built and sustained by unheard music.

Ancient tradition always depicts a true Chinese musician as blind. Esoterically, this implies that his gift of the divine art is so completely guided by, and dedicated to, hosts of the celestial guardians, that both his sight and consciousness are focused above and beyond the objective world.

At a certain stage of our progressive attainment, every Initiate undergoes an "Illumination by Sound" in which the Music of the Spheres becomes to us a living reality. When the magical powers of sound are rediscovered and scientifically directed to the specific purpose of healing... and when man has learned how to release the mantraic powers embodied in such inspired utterances, he will master the energies transcending even those unleashed by the atomic physicist of today. They will be energies of yet another and higher dimension.

In the etheric body are centered the forces animating man's physical vehicle, so disease is evidenced in the etheric before it manifests in the physical. The etheric, composed of finer, more attenuated substances than the physical, is corresponding amenable to vibratory influences. It is upon the former that harmony and rhythm have the most potent effect. Good music readjusts its molecular structure in accordance with the original divine plan, the archetype, and refines and accentuates it's vibratory currents. All forms of beauty and harmony increase this regenerating process.