Addiction is the dominant form of a culture that suffers from a superficial spectacle and celebrity-connectivity at its center. It's a form of spiritual emptiness.

It's a spiritual malnutrition tied to a moral constipation, where people have a sense of what's right and what's good. It's just stuck, and they can't get it out because there's too much greed. There's too much obsession with reputation and addiction to narrow conceptions of success.

If you view life as a gold rush, you're going to end up worshiping a golden calf.

I recall coming across a line by the late Charles Tilly when he said, "The conditions for the possibility of social movements have been called into question in the twenty-first century." And I said to myself, my god, a society in history without social movements, for me, is very difficult to live in.

For most of the history of the American empire, government has been a tool for preserving and furthering the power and might of white male corporate elites.

Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.

Death is always a constant possibility and probability and of course an inevitability, as well.