Martin Luther King's legacy is never to be measured by bricks and mortar, but rather by the kind of lives that we live, and the kind of love and service that we render.

Addiction is the dominant form of a culture that suffers from a superficial spectacle and celebrity-connectivity at its center. It's a form of spiritual emptiness.

In that chocolate side of town, in my blessed city of Sacramento, California - that was beginning of my death shudders, that's why Kierkegaard and Kafka began to make sense to me when I was very, very young - that radical sense fragility of life and inevitability of death; those trucks coming, if the truck came at a same time I was on the bridge, I was in the creek -my body would be the culinary delight of terrestrial worms.

Most importantly for me growing up, it was a spirituals, it was a gospels, it was James Cleveland, Aretha Franklin, Marion Williams; and then it was Curtis Mayfield - The Main Ingredient, The Whispers, Black Blue Magic, James Brown, Aretha Franklin, Luther Vandross - that music helped me preserves my sanity, help me preserve whatever dignity I was able to preserve, helping to keep going. It was a source of tremendous strength in my life.

Philosophy is in fact a quest for wisdom based in sophia; that quest for wisdom has everything to do with a love of wisdom.

What is accurately portrayed is the rich humanity not just of Martin Luther King but of the movement, which was a multiracial movement. You had blacks and whites coming together and sacrificing, organizing and mobilizing the world. That's the first time we've had collective action put at the center of any kind of portrayal of Martin King on the screen.

Faith is stepping out on nothing and landing on something.