Writing a lyric is writing a lyric, whether it's sung or recited. Perhaps the question to ask should be, has playing in a band for three years affected you? The answer to that is you bet.

I've always felt that poetry is the enemy of silence, but of course, in the right moments, silence can be useful. The trick is just trying to figure out when. And when I say silence, I suppose I actually meant erasure - poetry is a force against that, I think, or it should be.

Writing a lyric is writing a lyric, whether it's sung or recited. Perhaps the question to ask should be, has playing in a band for three years affected you? The answer to that is you bet.

It's sometimes hard to know who's choosing whom - the poem, the song, or the writer.

What I love about drafts is the experimental nature of them. The draft is what you know about writing a poem running up against what you don't know about the subject. If you're lucky, you get to surprise yourself.

For me, the intent in a song is to sing it. I compose songs, meaning I'm writing words to be set to music; I'm intending it to not be recited. I'm a singer-songwriter, and I'm a poet, and there really isn't a contradiction, at least for me.

When I leap, I briefly see the world as it is and as it should be.