It was as simple as that - they met. As simple as only beautiful things can be beautiful, as only life-changing things, turning-point things, can be simple. ("For The Rest Of Her Life")

After she's gone, another brief lull sets in. This one is probably the last. But what good is a lull? It's only a breathing spell in which to get more frightened. Because anticipatory fear is always twice as strong as present fear. Anticipatory fear has both fears in it at once - the anticipatory one and the one that comes simultaneously with the dread happening itself. Present fear only has the one, because by that time anticipation is over.

I rang the bell and she opened the door, dried her hands, and said heartily: 'Hello, stranger. I was just saying to Cliff only tonight, it's about time you showed up around here.' I wanted to detach him from her, but first I had to sit through about ten minutes of her. She was my sister, but you don't tell women things like I wanted to tell him. I don't know why, but you don't. You tell them the things you have under control; the things that you're frightened of, you tell other men if you tell anyone.

Beside her, her husband could only splutter, and he stopped even that when she half turned to flash him a smile - the instinctive, brilliant smile of a woman who knows what feeble creatures men can be. You couldn't learn to smile like that. It was something a woman either knew the minute she was born, or never knew at all. ("I'm Dangerous Tonight")

As for her perfume, it was the kind you only noticed after she'd left a room, not while she was still in it. Even then you didn't realize it was perfume, you only wondered what had made you think of her just then.

It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. You know what I mean, don't you? ... I really loved to write.

You see, this would be a death by the imagination. And though the imagination feeds on phantoms, it needs a premise in reality to begin with. Then it can go on from there under its own power.