Sometimes I feel that 'Footloose' is the rite of passage.

You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.

There's something really special for a young person to sit in an audience and discover somebody, and it's rare to do because so much of a movie's economics are based on pre-existing actors or actresses.

I was chubby and awkward, and the only way I could really meet girls was to join children's theater, so that's what I did.

I was raised a Southern Baptist, and my whole family were Christians. However, my Dad was really into science and astronomy, so I felt very balanced. I still had respect for faith.

I began to think that there was a place for 'Footloose' to get retold again, that there was actually a more conducive political climate, an emotional climate to explore a town that has experienced a trauma and a shock, and starts overreacting.

I got a Walkman, I had the 'Footloose' soundtrack and I danced to it constantly.