There's a lot of ways to be honest that don't necessarily involve absolute facts being true. I think that's something I absolutely try to do.

You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.

The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.

Sometimes things reveal themselves to you a little bit. I think it was Joan Didion that said, "We write to find out what we're thinking." And sometimes that happens.

I'm not a horror movie guy, but I think the guy that did Saw, or maybe House or something, he was saying you love that age as a storyteller because a nineteen-year-old is still dumb enough to make really bad decisions, but he's allowed to be out on his own.

Ironically, when I was playing in my first band, I would deliberately not write down any lyrics. I have a really good memory and I would just keep them in my head.

I really want to write a novel. A few years ago I went so far as to do the cliché thing and rent this house in upstate [New York]. I still have the story, but I got 15,000, 20,000 words in and it was like, This is falling apart. I can't figure out.