The Catholic influence just comes from being raised Catholic, going to church every Sunday, being confirmed, going to church on holy days. So it's coming from where I am. It serves the purpose of having people who have a base or foundation where they know what's right.

My style of lyric-writing is very specific and has a lot of details, and I think people react most to that.

My big thing is to get onstage sober. Whatever happens from there happens. But you get onstage drunk and it's not going to be good. It takes a while. I have to sing a lot, so I can only drink so much. So most nights it's fine; even if I drink as much as I possibly can, I can't get that drunk.

There's this moment sometimes, when you do a crossword puzzle and you have the one really long word. And once you get that, the whole thing kind of comes into focus. Sometimes it's just working things over in your mind and then finding that one line that kind of ties the song together, and now it works. It's a puzzle of sorts.

Sometimes things reveal themselves to you a little bit. I think it was Joan Didion that said, "We write to find out what we're thinking." And sometimes that happens.

I would never talk to a girl in a bar, like a pick-up thing. But I could talk to anyone if they wore a t-shirt of a band I like.

The point of being in a band, for instance, isn't to get big; it's about enjoying playing shows.