I can still sing most Eagles songs, even though I never bought a record and never liked the band.

Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.

I think the biggest thing - and this I think is true of songs but also of movies and books and art in general - is when you have this moment where you hear a song or whatever and you say, "Hey, I've felt that exact way as a human being," and there's no easy way to describe it.

I remember I was really into this British band, The Vapors, with that song "Turning Japanese." I thought that they were really next level genius cryptic weirdos. And then I realized when I got older they are just using a lot of British words, and I didn't know what they meant. But I thought, Oh, they are making up their own language.

If we enjoy what we're doing, we shouldn't really need a break. It's fun for us to play music. It's our livelihood, but I don't look at it as a job. It doesn't seem to me to be a problem to constantly be doing this.

There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.

One thing I have a tendency to do is not write choruses, or write choruses that have different words. The first chorus will have different words than the second chorus.