There's a lot you can do without words.

I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.

The storyboard artists job is to plan out shot for shot the whole show, write all the dialog, and decide the mood, action, jokes, pacing, etc of every scene.

I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.

First, there was 2 Stupid Dogs. Then, Dexters Laboratory. And now, Powerpuff Girls. There were a lot of little things in between, but those were the main ones.

I'm a geeky toy collector, and to have toys of your own characters is unbelievably cool.

The shows are either 11 or 22 minutes and they move pretty quickly, and that's part of the charm of them - so it was just trying to keep that in mind and keep the energy of the story moving, even though we were dealing with a longer format.