I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.

I liked back in the sixties where you'd turn on the radio and go 'Oh that's Hendrix, that's Creedence Clearwater, that's The Doors, there's The Grass Roots, The Monkees, there's Big Brother.' You could just instantly hear it and tell. But in the eighties and nineties there's no way you could do that.

The only difference between me and a homeless man is this job. I will do whatever it takes to survive…like I did when I was a homeless man.

I was with a folk trio back in '63 and '64, and we traveled all across North Africa, Israel, and Europe.

The Taliban is the worst...great heroin though.

I love Westerns and I remember as a kid climbing up on the couch and make it into a saddle and shoot guns and fall off. I would lay there after my death and my mom would tell me to eat lunch and I'd say, 'I'm still dead, Mom!' I was Method, even then.

I'm not one of these people who sits down and writes to say I'm gonna write a song about this or that, or a specific subject. The songs actually kind of write themselves.