When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
Crispin GloverFor me, listening to Beethoven and Tchaikovsky in particular, there's an emotional aspect - very different kinds of emotional aspects from those two composers, nonetheless, very strong emotional aspects from both of those composers.
Crispin GloverIt's frustrating when people get upset with me about not going out to DVD - the reason is that I plan to tour with the films for many, many years, not just a month or a week. Literally years. And as soon as I would put it out on DVD, it would ruin the financial possibilities of me making it a theatrical event. Whereas the book, the publishing of a screenplay, would not cause that problem.
Crispin GloverThe books I made, most of those books were made in the '80s or early '90s. I was reacting emotionally at that time; it wasn't an intellectual thing. I didn't make those things for public presentation; those were for my friends. So I wasn't doing this to be an advocate for what I'm talking about right about now. But I'm realizing I was working properly as an artist, or whatever you want to call it, as somebody that naturally was inquisitive.
Crispin Glover