I learned that not only am I a descendant of slaves, but that I am also a descendant of royalty, that there are politicians from the 1800s as well as Tuskegee Airmen in my lineage.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act

I understand it all. I can write my own ticket for one or two movies. But if they're not the right ones, my ticket gets yanked. I understand that's how it works, and I'm okay with it.

I speak to my agent about great roles, and he's like, 'They are all going to Will Smith.

Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie

I rewind the TV every two minutes. If someone does something interesting, I have to see it over and over again.

As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. Its like watching a masterpiece.